Day 47 - Hyde Park to Harrods

Marble Arch

Today we walked from Marble Arch at one corner of Hyde Park down to the Wellington Arch corner of Hyde Park, then along Knightsbridge to Brompton Road and Harrods.  For more information about Marble Arch, which I wrote about earlier, see Day 33.

Near Marble Arch is Speakers' Corner, Though Hyde Park Speakers' Corner is considered the paved area closest to Marble Arch, legally the public speaking area extends beyond the Reform Tree and covers a large area from Marble Arch to Victoria Gate, then along the Serpentine to Hyde Park Corner and the Broad Walk running from Hyde Park Corner to Marble Arch.

Public riots broke out in the park in 1855, in protest over the Sunday Trading Bill, which forbade buying and selling on a Sunday, the only day working people had off. The riots were described by Karl Marx as the beginning of the English revolution.

One are of Speakers' Corner

The riots and agitation for democratic reform encouraged some to force the issue of the "right to speak" in Hyde Park. The Parks Regulation Act 1872 delegated the issue of permitting public meetings to the park authorities (rather than central government). Contrary to popular belief, it does not confer a statutory basis for the right to speak at Speakers' Corner. Parliamentary debates on the Act illustrate that a general principle of being able to meet and speak was not the intention, but that some areas would be permitted to be used for that purpose. Since that time, it has become a traditional site for public speeches and debate, as well as the main site of protest and assembly in Britain. There are some who contend that the tradition has a connection with the Tyburn gallows, where the condemned man was allowed to speak before being hanged.

Speakers' Corner Cafe

We briefly listened to a few of the speakers, then hopped over to the cafe for a hot chocolate and a mochaccino.  While we were sitting and drinking some riders came by with horses from the Hyde Park Stables.

Rider in Hyde Park

Though the day was cool, it was a perfect day for horse riding.  As I watched the horses, I saw a statue of a horse.  Getting up to take a closer look, I noticed it was the Animals in War Monument.

Animals in War Memorial- south side

According to Wikipedia: "The memorial was designed by English sculptor David Backhouse to commemorate the countless animals that have served and died under British military command throughout history. It was unveiled in November 2004 by Princess Anne, the Princess Royal.

The memorial was inspired by Jilly Cooper's book Animals in War, and was made possible by a specially created fund of £1.4 million from public donations of which Cooper was a co-trustee. The memorial consists of a 55 ft by 58 ft (16.8 m by 17.7 m) curved Portland stone wall: the symbolic arena of war, emblazoned with images of various struggling animals, along with two heavily-laden bronze mules progressing up the stairs of the monument, and a bronze horse and bronze dog beyond it looking into the distance.  The Animals in War Memorial was officially opened on 24 November 2004 by Anne, Princess Royal.

Animals in War Memorial - North side

In May 2013, it was one of two London war memorials vandalized on the same night. The word 'Islam' was spray-painted on this and the RAF Bomber Command 

Memorial.

Beneath the main header, "Animals in War", the memorial has two separate inscriptions; the first and larger reads:

"This monument is dedicated to all the animals

that served and died alongside British and allied forces

in wars and campaigns throughout time"

The second, smaller inscription simply reads:

"They had no choice"

Upon the rear or outside of the memorial are these words:

"Many and various animals were employed to support British and Allied Forces in wars and campaigns over the centuries, and as a result millions died. From the pigeon to the elephant, they all played a vital role in every region of the world in the cause of human freedom.

"Their contribution must never be forgotten.""

Joy of Life Fountain

Continuing our stroll, we came upon the "Joy of Life" fountain, considered the largest fountain in Hyde Park. The fountain is decorated with bronze sculptures that float over a large circular basin. At the center are two adults, seemingly dancing and holding each others' arms. Around them are four statues of children who seem to hover over the water. The fountain, a work of sculptor Thomas Bayliss Huxley-Jones, was created in 1963. It is sometimes also called the Four Winds Fountain.

After admiring the "Joy of Life" we continued along "Lover's Walk" until we came upon the 7/7 Memorial.

7/7 Memorial

The 7/7 Memorial commemorates the victims of the terrorist attack of July 7, 2005. The monument consists of 52 stainless steel columns; with each column representing one of the victims of the bombings and marking the location of where they died

The 7 July 2005 London bombings (often referred to as 7/7) were a series of co-ordinated suicide attacks in London which targeted civilians using the public transport system during the morning rush hour.

On the morning of Thursday, 7 July 2005, four Islamist home-grown terrorists detonated four bombs, three in quick succession aboard London Underground trains across the city and, later, a fourth on a double-decker bus in Tavistock Square. Apart from the four bombers, 52 civilians were killed and over 700 more were injured in the United Kingdom's first suicide attacks.

The explosions were caused by homemade organic peroxide–based devices packed into rucksacks. The bombings were followed two weeks later by a series of attempted attacks which failed to cause injury or damage.

The attacks occurred one day after London had won its bid to host the 2012 Olympics, which had particularly highlighted the city's multicultural reputation.

All but one of the 52 victims had been residents in London during the attacks and were from a diverse range of backgrounds. Among those killed were several foreign-born British nationals, foreign exchange students, parents, and one British couple of 14 years. Due to train delays before the attacks, as well as subsequent transport issues caused by them, several victims died aboard trains and buses they would not normally have taken. Their ages ranged from 20 to 60 years old..

Next we came across the Achilles Statue near the Queen Elizabeth gate in Hyde Park.

Achilles Statue

The Achilles Statue, considered to be the largest statue in Hyde Park, was installed there in 1822 to honor the Duke of Wellington, the victor over Napoleon's army at Waterloo. The bronze statue was cast from cannons that were captured from the French. The statue was created by Richard Westmacott, who based his design on the statues of Castor and Pollux at the Piazza del Quirinale in Rome. Originally, the statue was, like the ones in Rome, nude, but true to their reputation, the prudish Georgian Londoners were shocked and Westmacott was forced to add a fig leaf.  Ah well.

Next we came across the Queen Elizabeth Gate near Hyde Park Corner.

Queen Elizabeth Gate

Queen Elizabeth Gate, also known as the Queen Mother's Gate, is an entrance consisting of two pairs and two single gates of forged stainless steel and bronze situated in Hyde Park, London, behind Apsley House at Hyde Park Corner. There is also a center feature made of painted cast iron.

It was opened by Queen Elizabeth II in 1993 to celebrate the 90th birthday of her mother, Queen Elizabeth The Queen Mother. It cost £1.5 million to construct, raised by private individuals and public funding, under the patronage of Prince Michael of Kent.

Queen Elizabeth Gate - close-up

The site's architect was Richard Rogers.The stainless steel and bronze gates, railings and lights were designed and made by Giusseppe Lund. The center piece, featuring a red lion and a white unicorn, was designed by sculptor David Wynn.

The organic nature of the forged steel reflects the Queen Mother's love of flowers, particularly those from a cottage garden. Her life spanned most of the century and this is represented by a flow from formal symmetry at the base of the gates upwards to an increasing freedom of line at the top. Many of the elements are free to move when touched and the whole structure vibrates when moved. This is in direct contrast to the heavier rectilinear gates found in other entrances to the park.

Queen Elizabeth Gate view from inside Hyde Park

Although much admired there were initial concerns that the metal was rusting due to a misunderstanding of the nature of the gate's coloring which was in fact a deliberate creation of chromium oxides with the application of heat. This treatment has since proved to be extremely durable thanks to the initial intensifying of the chromium content on the surface by the use of electro-polishing.

Just outside of the park is Apsley House, Apsley Gate, and the Wellington Arch.

Wellington Arch - Back view

Wellington Arch, also known as Constitution Arch or (originally) the Green Park Arch, is a triumphal arch located to the south of Hyde Park in central London and in an isolated traffic island on the western corner of Green Park . Built nearby between 1826-1830 to a design by Decimus Burton, it was moved to its present position in 1882-83. It once supported an equestrian statue of the 1st Duke of Wellington; the original intention of having it topped with sculpture of a "quadriga" or ancient four-horse chariot was not realised until 1912.

The arch, and Marble Arch (originally sited in front of Buckingham Palace), were both planned in 1825 by George IV to commemorate Britain's victories in the Napoleonic Wars. The Wellington Arch was also conceived as an outer gateway to Constitution Hill and therefore a grand entrance into central London from the west. The presence of a turnpike gate at this point had led, in the 18th century, to a strong perception that this was the beginning of London (reflected in the nickname for Apsley House as "No 1, London") and the arch was intended to reflect the importance of the position.

Wellington Arch viewed from the front

The monument was planned as part of a single composition with Burton's screen, which forms the Hyde Park Corner entrance to Hyde Park. The arch was originally positioned directly to the south of the screen, as part of a grand ceremonial route towards Buckingham Palace. Apsley House, the London residence of the Duke of Wellington, adjoins the screen.

It has a single opening, and uses the Corinthian order. Much of the intended exterior ornamentation was omitted as a cost-saving exercise necessitated by the King's overspending on the refurbishment of Buckingham Palace, which was underway at the same time.

At this point we continued our walk taking a few more pictures of statues and a couple of Harvey Nichols Windows and a few rather sexy ones of Harrods.  I'll have to add these later, including a picture of the dinner we purchased in Harrods' food court.  I'll advise when I've added these in my later posts, if you're interested.

Until then, I'd best say good-night.

Day 33 - Rain, Rain GO AWAY

Marble Arch

We had great plans of heading over to the Marble Arch and visiting Speakers Corner in Hyde Park, but by the time we got to the Arch, it was raining so hard, we had to turn back.  So, I'll wait to talk about Speakers Corner another day and talk a little about the Marble Arch.

The structure was designed by John Nash in 1827 to be the state entrance to the "cour d'honneur" of Buckingham palace; it stood near the site of what is today the three bayed, central projection of the palace containing the well known balcony. In 1851 it was relocated and following the widening of Park Lane in the early 1960s, the monument is now on a large traffic island at the junction of Oxford Street, Park Lane, and Edgware Road.

Historically, only members of the Royal Family and the King's Troop, Royal Horse Artillery are permitted to pass through the arch; this happens only in ceremonial processions. The arch gives its name to the vicinity of its site, particularly, the southern portion of Edgware Road and also to the nearby underground station.

The arch also stands close to the former site of the Tyburn gallows (sometimes called 'Tyburn Tree'), a place of public execution from 1388 until 1783, located 100 meters north west from Marble Arch on the traffic island at the start of Edgware Road.

Tyburn Tree

The "Tree" or "Triple Tree" was a novel form of gallows, consisting of a horizontal wooden triangle supported by three legs (an arrangement known as a "three-legged mare" or "three-legged stool"). Several felons could thus be hanged at once, and so the gallows were used for mass executions, such as on 23 June 1649 when 24 prisoners – 23 men and one woman – were hanged simultaneously, having been conveyed there in eight carts.

Site of the Tyburn Tree in 1746

The Tree stood in the middle of the roadway, providing a major landmark in west London and presenting a very obvious symbol of the law to travelers. After executions, the bodies were buried nearby or, in later times, removed for dissection by anatomists.

These executions were public spectacles and proved extremely popular, attracting crowds of thousands. The enterprising villagers of Tyburn erected large spectator stands so that as many as possible could see the hangings (for a fee). On one occasion, the stands collapsed, reportedly killing and injuring hundreds of people. This did not prove a deterrent, however, and the executions continued to be treated as public holidays, with London apprentices being given the day off for them.

The word "Tyburn" was commonly invoked as euphemisms for capital punishment – for instance, to "take a ride to Tyburn" (or simply "go west") was to go to one's hanging, "Lord of the Manor of Tyburn" was the public hangman, "dancing the Tyburn jig" was the act of being hanged, and so on. Convicts would be transported to the site in an open ox-cart from Newgate Prison. They were expected to put on a good show, wearing their finest clothes and going to their deaths with insouciance. The crowd would cheer a "good dying", but would jeer any displays of weakness on the part of the condemned.

Even in the eighteenth century the Tyburn Road (or Oxford Street) was a lively area, with salesmen and shoppers and people stopping for a bite to eat or for a drink. Those who found a seat in the Mason's Arms, a pub in Seymour Place, would get a special view of the prisoners, because this was their very last place to stop for food and drink.

The City Marshall knew that the utmost care had to be taken at this final stop. Despite the custom for allowing prisoners to have a drink (perhaps in the hope the alcohol would numb them before the execution), the cellars of the pub still have the manacles on the walls, which indicate the prisoners didn't enjoy their last pint in great comfort.

As they left the pub, the prisoners were loaded back onto the cart where they would shout to customers 'I'll buy you a pint on the way back!' This was just one of the many rituals that made the day such a spectacle for the thousands who, at some point, decided to watch. Some, who might have come miles to see 'the drop', were determined to have a good time - almost as though it was a holiday or they had gone to a carnival - and it was Saint Monday, a long weekend, after all! There were eight of these hanging days a year and they were considered to be the biggest tourist attraction of the day!

Plaque that marks the spot where the tree stood

The prisoners, who were finally blindfolded, sometimes had a hood put over their head and had their arms tied behind their backs before they were strung up. It must have been a skilled job knowing how to tie the ropes around the necks of prisoners who struggled. In fact, the crowd cheered more for those prisoners who put up a fight, even as they were dangling and swinging. In the end, there could be twenty people on the 'fatal tree'.

It could be a slow death. Men often swung, struggled and gasped for up to three quarters of an hour. If they were lucky, soon after the cart was pulled away and they were left hanging, a relative or friend would pull on their legs and put them out of their misery quickly. The give-away sign of death was when urine ran down the leg of the dead body. At this point, the crowds hushed.

As the bodies were cut down and the crowds started to walk home, some relatives thought of rescuing their dead from the fate of dissection by the anatomists. Others were desperate to touch the dead men's hands - believing it would give them luck or perhaps a cure. However, it was mostly the City Marshall and the anatomists who won the fight for the bodies. The dead bodies were taken back to Newgate, still under security: even after death they were still prisoners.

Executions took place at Tyburn between 1571 and 1783. About 1100 men and almost 100 women were hanged at Tyburn in the eighteenth century. Londoners were also executed at Smithfield and Tower Hill. The Tyburn gallows were last used on 3 November 1783, when John Austin, a highwayman, was hanged. After that, because the government's fears of public disorder and rioting were so great, executions took place at Newgate, where security was easier to manage. However, even then they remained a spectacle available to Londoners, with some paying up to £10 for a seat at one of the windows overlooking the gallows. The last public executions in London were in 1868.

Enough about death.  Since our plans were aborted we did take a few pictures of Covent Garden when we returned, so I'll share those as well.

Covent Garden Piazza Today

The Covent Garden estate was originally under the control of Westminster Abbey and lay in the parish of St Margaret. During a reorganization in 1542, control was transferred to St Martin in the Fields, and then in 1645 a new parish was created, splitting governance of the estate between the parishes of St Paul Covent Garden and St Martin, both still within the Liberty of Westminster.

After the Dissolution of the Monasteries in 1540, Henry VIII claimed all the land belonging to Westminster Abbey, including the convent garden and seven acres to the north called Long Acre; and in 1552 his son, Edward VI, granted Covent Garden to John Russell, 1st Earl of Bedford. The Russell family, who in 1694 were advanced in their peerage from Earl to Duke of Bedford, held the land from 1552 to 1918.

John Russel 1st Earl of Bedford by Hans Holbein

Russell had Bedford House and garden built on part of the land, with an entrance on the Strand and a large garden stretching back along the south side of the old walled-off convent garden. Apart from this, and allowing several poor-quality tenements to be erected, the Russells did little with the land until the 4th Earl of Bedford, Francis Russell, an active and ambitious businessman, commissioned Inigo Jones in 1630 to design and build a church and three terraces of fine houses around a large square or piazza.

In 1630, the fourth Earl of Bedford was given permission to demolish buildings on an area of land he owned north of the Strand, and redevelop it. The result was the Covent Garden Piazza, the first formal square in London.The new buildings were classical in character. At the west end was a church, linked to two identical houses. The south side was left open.

Covent Garden in 1737 (before the 1830 Market Hall was built) by Balthazar Nebot

St Paul's Church, also commonly known as the Actors' Church, was designed by Inigo Jones as part of a commission by Francis Russell, 4th Earl of Bedford, in 1631 to create "houses and buildings fitt for the habitacons of Gentlemen and men of ability" in Covent Garden, London, England. As well as being the parish church of Covent Garden, the church gained its nickname by a long association with the theatre community.

St Paul's was the first entirely new church to be built in London since the reformation. According to an often repeated story, recorded by Horace Walpole, the Earl of Bedford asked Jones to design a simple church "not much better than a barn", to which the architect replied "Then you shall have the handsomest barn in England".

Work on the church was completed in 1633, at a cost of £4,886, but it was not consecrated until 1638 due to a dispute between the earl and the vicar of St Martin-in-the-Fields. It remained a chapel within the parish of St Martin-in the -Fields until 1645, when Covent Garden was made a separate parish and the church was dedicated to St Paul.

St Pauls Church in Covent Garden

In 1789 there was a major restoration of the church, under the direction of the architect Thomas Hardwick. Six years later, in September 1795, the church was burnt out by a fire, accidentally started by workmen on the roof. A survey of the damage found that the outer walls were still structurally sound, but that the portico would have to be reconstructed. It is unclear whether this was in fact done. Having been restored once more, again under Hardwick's supervision, the church was reconsecrated, on 1 August 1798.

Despite the destruction, parish records were saved, as was the pulpit — the work of Grinling Gibbons. St Paul Covent Garden was completely surrounded by the parish of St Martin in the Fields. It was grouped into the Strand District in 1855 when it came within the area of responsibility of the Metropolitan Board of Works.

St Paul's connection with the theatre began as early as 1663 with the establishment of the Theatre Royal, Drury Lane, and was further assured in 1723 with the opening of Covent Garden Theatre, now the Royal Opera House.

On 9 May 1662, Samuel Pepys noted in his diary the first "Italian puppet play" under the portico — the first recorded performance of "Punch and Judy", a fact commemorated by the annual "MayFayre" service in May. The portico of St Paul's was the setting for the first scene of Shaw's Pygmalion, the play that was later adapted as My Fair Lady.

Since 2007 St Paul's has been home to its own in-house professional theatre company, Iris Theatre, originally created to mount a production of T.S. Eliot’s Murder in the Cathedral. It gained full charitable status in Oct 2009.

There is so much more I could tell you, but it's nearly eleven, so I'm going to sign off for the night.  I'll check in again tomorrow.